headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

better weather

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Submissions

1
Tennessee Jed
April 5, 1993
Nassau Coliseum

feels good to get lost in a good fluid jed, the light at end of the tunnellin' jokester's mountain. Barrelhouse vince, weir and lesh and fire jer bear
2
Deal
April 15, 1982
Providence Civic Center

Hot, glinting Deal. early Brent is evolutionary days for the party songs in the ouevre, great tiger smoker!
1
Bird Song
Oct. 30, 1980
Radio City Music Hall

https://www.youtube.com/watch?v=Snz5k9PkXTk magisterial jamming
1
Truckin'
March 22, 1985
Hampton Coliseum

bobby puts his hand over his forehead as if looking out on a bright day on "other times i can barely see"
2
Mississippi Halfstep Uptown Toodeloo
June 25, 1994
Sam Boyd Silver Bowl, U.N.L.V.

jer bear sings this one beautifully
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Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.
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