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find the best versions of grateful dead songs

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BeggarsTomb48

better weather

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Submissions

1
Drums -> Space
May 10, 1978
Veterans' Memorial Coliseum

ambitious, abstract, and involved in the multi-dimensional trappings. Plenty of curiosity but tethered to that amazing 2nd-set logic
1
Easy Answers
June 21, 1995
Knickerbocker Arena

hurricane version coming out of space
2
Good Lovin'
April 27, 1977
Capitol Theatre

Piping hot delivery, right after Scarlet Fire! Yee-haw! That burgundy-smooth, cinnamon in yer coffee-sweetness of 77 flavor! Mickey thwacking as well
1
Turn On Your Love Light
July 4, 1970
McMahon Stadium

https://youtu.be/aJhnOq2q3ag yes indeed
1
Might As Well
Sept. 6, 1983
Red Rocks Amphitheatre

finger-lickin' good Red Rocks show, Lazy lightning/supplication for a while straight into this barnstorming Might as well, fireworks!!!

Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.