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BeggarsTomb48
better weather
+7005
Submissions
2
Space
Nov. 2, 1985
Richmond Coliseum
Activated. Midi horns and sine pads melt from drumz and again to jousting snarls of apathy. Lyrical, seasoned.
2
Let It Grow
Nov. 2, 1985
Richmond Coliseum
Columnic, wealthy in spirit. Cranial jam.
1
Wharf Rat
March 29, 1985
Nassau Coliseum
propulsive, no prisoners
1
Drums -> Space
March 29, 1985
Nassau Coliseum
Yet another transcendent versh, guitarists stay on, chimes of peace into the conches of deliverance, rippling. Wackazoid gothic space, metal adjacent
2
Baby
March 29, 1985
Nassau Coliseum
music never stoppd tease into this crackling rarity! Back porch scheming for lived-in tracks, avenues of decay for the tires of hummers.
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Comments
Scarlet Begonias -> Fire On The Mountain
Sept. 5, 1985
Red Rocks Amphitheatre
sbd is characteristically of the 80's flimsy which could explain the Council's votes shut-out on this buffet of elemental dragonback purged whimsy Scarfye. Baroque cobbly wobblies, with ample vision everyone will get in the zone w the groove. Invoking the entrusted overseers of sacrificial rituals
Candyman
Sept. 5, 1985
Red Rocks Amphitheatre
Intensity... fabulous candyman, follow the rainbow of hired gunslingin' trouble ahead
Cold Rain and Snow
Sept. 5, 1985
Red Rocks Amphitheatre
enchanting energy
Dark Star
April 11, 1969
University Auditorium, University of Arizona
far reaching and screaming, soaring Lesh on this fist pumper. Chamber post-verse suspended by a finite plectrum.
Eyes Of The World
Oct. 17, 1994
Madison Square Garden
Truly colossal slouchfest of outrageously perfect swimmingly beautiful Eyesie blowing. Needs 50 votes at least, this is a painting
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hot songs
Dark Star
Playin' In The Band
Eyes Of The World
Scarlet Begonias -> Fire On The Mountain
new submissions
Sugaree, Autzen Stadium, June 18, 1994
When I Paint My Masterpiece, Crisler Arena, April 6, 1989
Mama Tried, Crisler Arena, April 6, 1989
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recent comments
Schoolgirl>You Don’t Love Me>Schoolgirl
Funky and spacious like ...
Full-band levitation during the ...
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