headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

better weather

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Submissions

1
Greatest Story Ever Told
March 28, 1994
Nassau Coliseum

Really inspired, a kicking wisteria ode to the crackle of 72 versions. Long island love, big man goes off in this one, walls of devils too
2
Gimme Some Lovin'
June 30, 1985
Merriweather Post Pavilion

double dose of I-95 summer adolescent escapade brent and phil frat house. Shit hot
1
Uncle John's Band
June 25, 1994
Sam Boyd Silver Bowl, U.N.L.V.

another searing crestfallen twilight UJB that's jaw droppingly mammoth, boss man lays it down, waves of devils
1
Deal
April 26, 1984
Providence Civic Center

another kayfabe divorce papers joust brent deal with marvelous urban puddlehopping weave. JG shows jazz-like dexterity, albeit diatonic
1
Deal
April 17, 1984
Niagara Falls Convention Center

Really?!?!?! jazzy, crunchy, biker bar diamond hard hat 80's deal. Type 2

Comments

Uncle John's Band
March 24, 1990
Knickerbocker Arena

Spring 90 magic. Pitb is totally solid. Unfocused but jazzy and energized. Brent is trying to get weird with it but the others don't follow him. A stellar Uncle John's Band follows, pitch perfect and generous.
One More Saturday Night
March 24, 1990
Knickerbocker Arena

often skip this one but this 90 version brings the goods
Loser
March 24, 1990
Knickerbocker Arena

Nasty, nasty nasty '90 loser. jerry puts his heart and soul into this and phil and brent's power must have shook the bodies of everyone in attendance
Loser
Nov. 14, 1978
Boston Music Hall

phenomonal Loser. my father was in attendance, "remembers very little" ;)
Lazy Lightnin' -> Supplication
May 22, 1977
The Sportatorium

uber killing version. Vocal harmonies are so crispy in this whole show, as many have noted before, it doesn't get better than Spring 77 for Dead vocals. (and maybe just in general too) Jerry's soloing can really do no wrong on this show. Sugaree and franklin's tower are simply masterclasses and it continues on this Supplication, it's fast furious and clear, yet always melodic and never over-playing to the point where it's not musically rich anymore. Every note is played with utmost purpose and conviction. The build, like in all the best LL->S's, is quite something