headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

1
Jack A Roe
April 6, 1994
Miami Arena

https://www.youtube.com/watch?v=HFrJqF4MQFw glimmering handheld/aud source, jerry's kids type beat, blue hot, ravishing all seeing jer, pop rocks
1
Turn On Your Love Light
April 4, 1986
Hartford Civic Center

This one's got it!!! Great, as far as post-pigpen goes... Supported by diehard bobby energy and robustly happy mid 80's glide.
1
The Wheel
April 4, 1986
Hartford Civic Center

Flexible and fun. stretches out organically, comes out of swirling FX space.
2
Smokestack Lightnin'
April 4, 1986
Hartford Civic Center

ron dials in!! The bygone days of slingin' Chess 45s round the room. Crackling with passion and effortless heavy groove
1
He's Gone
April 4, 1986
Hartford Civic Center

Crowd congeals on this one. Unstoppably creative phil, they go deep into the caverns of cosmic deaad, colombian antics and deluxe goodz.

Comments

Uncle John's Band
March 24, 1990
Knickerbocker Arena

Spring 90 magic. Pitb is totally solid. Unfocused but jazzy and energized. Brent is trying to get weird with it but the others don't follow him. A stellar Uncle John's Band follows, pitch perfect and generous.
One More Saturday Night
March 24, 1990
Knickerbocker Arena

often skip this one but this 90 version brings the goods
Loser
March 24, 1990
Knickerbocker Arena

Nasty, nasty nasty '90 loser. jerry puts his heart and soul into this and phil and brent's power must have shook the bodies of everyone in attendance
Loser
Nov. 14, 1978
Boston Music Hall

phenomonal Loser. my father was in attendance, "remembers very little" ;)
Lazy Lightnin' -> Supplication
May 22, 1977
The Sportatorium

uber killing version. Vocal harmonies are so crispy in this whole show, as many have noted before, it doesn't get better than Spring 77 for Dead vocals. (and maybe just in general too) Jerry's soloing can really do no wrong on this show. Sugaree and franklin's tower are simply masterclasses and it continues on this Supplication, it's fast furious and clear, yet always melodic and never over-playing to the point where it's not musically rich anymore. Every note is played with utmost purpose and conviction. The build, like in all the best LL->S's, is quite something