headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

1
Brown Eyed Women
March 14, 1993
Richfield Coliseum

piercing sheer and altogether triumphant version with plenty of barrelhouse winking fun that recalls 78 marathons. great midwest bew!
1
Bird Song
July 31, 1988
Laguna Seca Recreation Area

consonantly epic woodshedding on Bird at a special spot, swimming through time.
1
Deal
Sept. 21, 1991
Boston Garden

Good lush midi cassidy into this speedmeister jaunty shuffler. Bruce and weir aim high. Inspired smooth flow. Propulsive coda. Zoo wee mama!
1
Pretty Peggy O
Sept. 21, 1991
Boston Garden

Another gorgeous headlong peggy for caves and knolls, formidable 90's new age orb head textures. Rosebud arpeggiation takes off gloriously in solos.
2
New Minglewood Blues
Sept. 21, 1991
Boston Garden

intensely hot pan seared Bruce version. Five alarm chaw with thematic accompaniment and hootenany feelings

Comments

Uncle John's Band
March 24, 1990
Knickerbocker Arena

Spring 90 magic. Pitb is totally solid. Unfocused but jazzy and energized. Brent is trying to get weird with it but the others don't follow him. A stellar Uncle John's Band follows, pitch perfect and generous.
One More Saturday Night
March 24, 1990
Knickerbocker Arena

often skip this one but this 90 version brings the goods
Loser
March 24, 1990
Knickerbocker Arena

Nasty, nasty nasty '90 loser. jerry puts his heart and soul into this and phil and brent's power must have shook the bodies of everyone in attendance
Loser
Nov. 14, 1978
Boston Music Hall

phenomonal Loser. my father was in attendance, "remembers very little" ;)
Lazy Lightnin' -> Supplication
May 22, 1977
The Sportatorium

uber killing version. Vocal harmonies are so crispy in this whole show, as many have noted before, it doesn't get better than Spring 77 for Dead vocals. (and maybe just in general too) Jerry's soloing can really do no wrong on this show. Sugaree and franklin's tower are simply masterclasses and it continues on this Supplication, it's fast furious and clear, yet always melodic and never over-playing to the point where it's not musically rich anymore. Every note is played with utmost purpose and conviction. The build, like in all the best LL->S's, is quite something