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BeggarsTomb48

better weather

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Submissions

3
They Love Each Other
Sept. 21, 1991
Boston Garden

another spicy jambalaya rendering from this configuration. Tight and loose simultaneously with excellently intuitive coasting byway jamming.
1
Black Peter
Feb. 8, 1986
Henry J. Kaiser Convention Center

mournfully acrobatic delivery and searing tiger, love it for days
1
Gimme Some Lovin'
Feb. 8, 1986
Henry J. Kaiser Convention Center

barrels in and kicks ass. Definitely some first show of the year magic on this. Revives the blues/soul energy of set 1 to leave us smilin' and dancin
1
Drums -> Space
Feb. 8, 1986
Henry J. Kaiser Convention Center

Thrilling and ominous. gets totally cranial, still retaining the pitb main ten for the duration. Excellent tonal space.
1
One More Saturday Night
Feb. 8, 1986
Henry J. Kaiser Convention Center

loose kinetic cannonball energy and more fluid acrobatic bluesy group playing deserve another shout out tonite!

Comments

Uncle John's Band
March 24, 1990
Knickerbocker Arena

Spring 90 magic. Pitb is totally solid. Unfocused but jazzy and energized. Brent is trying to get weird with it but the others don't follow him. A stellar Uncle John's Band follows, pitch perfect and generous.
One More Saturday Night
March 24, 1990
Knickerbocker Arena

often skip this one but this 90 version brings the goods
Loser
March 24, 1990
Knickerbocker Arena

Nasty, nasty nasty '90 loser. jerry puts his heart and soul into this and phil and brent's power must have shook the bodies of everyone in attendance
Loser
Nov. 14, 1978
Boston Music Hall

phenomonal Loser. my father was in attendance, "remembers very little" ;)
Lazy Lightnin' -> Supplication
May 22, 1977
The Sportatorium

uber killing version. Vocal harmonies are so crispy in this whole show, as many have noted before, it doesn't get better than Spring 77 for Dead vocals. (and maybe just in general too) Jerry's soloing can really do no wrong on this show. Sugaree and franklin's tower are simply masterclasses and it continues on this Supplication, it's fast furious and clear, yet always melodic and never over-playing to the point where it's not musically rich anymore. Every note is played with utmost purpose and conviction. The build, like in all the best LL->S's, is quite something