headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

better weather

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Submissions

3
Beat it on Down The Line
Dec. 6, 1973
Public Hall

Train rippin' down the hot coals of the 1973 track.
6
Drums
April 12, 1978
Cameron Indoor Stadium

Can't believe I'm submitting this. Long and fun drum circle that's notable because our Jer Bear whips out a steel pan and joins in.
2
It Must Have Been The Roses
Oct. 31, 1990
Wembley Arena

Jerry tearing the standards book asunder with this elegant poetic brilliance
2
Big River
Oct. 31, 1990
Wembley Arena

For a few minutes wembley in '90 becomes the fillmore in the summer of 1970, the way the Dead just slide into a no-nonsense Big River. Shivers
2
Loose Lucy
Oct. 31, 1990
Wembley Arena

Smokin' and refined version of this deep cut, on "All Hallow's Eve" as a chap might say

Comments

Uncle John's Band
March 24, 1990
Knickerbocker Arena

Spring 90 magic. Pitb is totally solid. Unfocused but jazzy and energized. Brent is trying to get weird with it but the others don't follow him. A stellar Uncle John's Band follows, pitch perfect and generous.
One More Saturday Night
March 24, 1990
Knickerbocker Arena

often skip this one but this 90 version brings the goods
Loser
March 24, 1990
Knickerbocker Arena

Nasty, nasty nasty '90 loser. jerry puts his heart and soul into this and phil and brent's power must have shook the bodies of everyone in attendance
Loser
Nov. 14, 1978
Boston Music Hall

phenomonal Loser. my father was in attendance, "remembers very little" ;)
Lazy Lightnin' -> Supplication
May 22, 1977
The Sportatorium

uber killing version. Vocal harmonies are so crispy in this whole show, as many have noted before, it doesn't get better than Spring 77 for Dead vocals. (and maybe just in general too) Jerry's soloing can really do no wrong on this show. Sugaree and franklin's tower are simply masterclasses and it continues on this Supplication, it's fast furious and clear, yet always melodic and never over-playing to the point where it's not musically rich anymore. Every note is played with utmost purpose and conviction. The build, like in all the best LL->S's, is quite something