headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

better weather

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Submissions

3
They Love Each Other
Sept. 21, 1991
Boston Garden

another spicy jambalaya rendering from this configuration. Tight and loose simultaneously with excellently intuitive coasting byway jamming.
1
Black Peter
Feb. 8, 1986
Henry J. Kaiser Convention Center

mournfully acrobatic delivery and searing tiger, love it for days
1
Gimme Some Lovin'
Feb. 8, 1986
Henry J. Kaiser Convention Center

barrels in and kicks ass. Definitely some first show of the year magic on this. Revives the blues/soul energy of set 1 to leave us smilin' and dancin
1
Drums -> Space
Feb. 8, 1986
Henry J. Kaiser Convention Center

Thrilling and ominous. gets totally cranial, still retaining the pitb main ten for the duration. Excellent tonal space.
1
One More Saturday Night
Feb. 8, 1986
Henry J. Kaiser Convention Center

loose kinetic cannonball energy and more fluid acrobatic bluesy group playing deserve another shout out tonite!

Comments

Eyes Of The World
Feb. 9, 1973
Roscoe Maples Pavilion - Stanford University

Classically epochal, resplendent, trench style jamming first ever version ~~~~
Eyes Of The World
Aug. 13, 1975
Great American Music Hall

Clarion. Calling. Smooth pools. Of blue. Emptiness.
Johnny B. Goode
March 28, 1973
Civic Center

3 chuck berry numbers on this remarkable show, this johnny b goode is a smoker.
Playin' In The Band
March 28, 1973
Civic Center

Staggering. The dead have been playing for over 3 hours, including a 32-min DS just now, and they still want to go ham on playing in the band. A generous night and lightning-hot, jazzy 73 gig for all to behold!!!!!!
Eyes Of The World
March 28, 1973
Civic Center

DS->Eyes->PITB, three of rock music's dopest pleasures all in one place tonight in Springfield Mass, site of the invention of basketball. Unreleased, I would have been absolutely losing my mind at hearing this brilliant new Dead tune. but anyway, the jamming on this version is definitely turned on, and tuned in. A notable aspect is the loose modal jamming on the outro material with fluid, dexterous 5/8 riffs echoing throughout this version, going back and forth the dark n' light!!!