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BeggarsTomb48

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Submissions

3
Promised Land
May 11, 1991
Shoreline Amphitheatre

this one is a gimme for Hornsby's jumpstart chops which makes for a devastating affair with jer and the guys lockin' in.
1
Drums -> Space
May 11, 1991
Shoreline Amphitheatre

Laconic and textural, devils hang loose. Chasms of endless spirals of blank fear only to be boingy wackjob cyberjazz, menacing, for OG 90's heads
1
Uncle John's Band
May 11, 1991
Shoreline Amphitheatre

High spirited and activated septet playing. Lengthy tonal solo and manic 7/4 takeoff
1
Playin' In The Band
May 11, 1991
Shoreline Amphitheatre

Blazing steamroller, Hornsby, flutterbird PITB. Elegant, direct, emblematic of the late style.
1
I Need A Miracle
July 21, 1990
World Music Theatre

Mystical, blazing

Comments

China Doll
Feb. 19, 1973
International Amphitheatre

crystalline gossamer magic. Heartbreaking, tender version.
Eyes Of The World
Sept. 8, 1990
Coliseum

Fantastic version. Makes you wonder how quickly Vince could have developed his own voice which he eventually did by somewhere in 93-94, if he didn't have to jockey with Bruce. Oceanic, meditative, tight, playful, kind version.
Jack Straw
Aug. 22, 1993
Autzen Stadium - University of Oregon

another fantastic version - Lightning Bolt working that crispy trebly tone, phil/devils off the leash.
Jack Straw
June 21, 1993
Deer Creek Music Center

powerful screaming version. Bob cuts the big man off while he's rolling
He's Gone
Oct. 28, 1977
Soldiers' and Sailors' Memorial Hall

great call, this seems like a major version- 77 is of course the heyday of slow he's gone and this one passes with honors. Betty board is translucent honey. This version is a fearful beggar experiencing disregulation of identity- devils find the spot in the downbeat completely free of anticipation, Phil 'n' Bob jigsaws aligning. Great coda and sprawling dark jam to follow.