headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

3
The Wheel
Sept. 13, 1983
Manor Downs

Groovy yoga from soft space to barroom swashbuckler of a brent wheel. Crack harmonies and psyched out blissy vibe. Pummeling!! no jam
2
Spanish Jam
Sept. 13, 1983
Manor Downs

Beautiful one, chamber phil, plenty of instigatingly intimate technique from all
1
Mama Tried
Aug. 29, 1982
Seattle Center Coliseum

Euphoric jerry leads. Tres tight!! nimble and exciting, some architecture to this early brent version
1
West L.A. Fadeaway
Aug. 29, 1982
Seattle Center Coliseum

Embryonic, unhinged and primal! Tiger lead is positively lacerating, everyone in attendance was split into dust
1
Blow Away
Oct. 12, 1989
Meadowlands Arena

powerful one from a 5-show hockey rink run. Zeus bolt tone and magnitude, exciting stuff.
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Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.
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