headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

better weather

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Submissions

1
New Minglewood Blues
Oct. 17, 1994
Madison Square Garden

slow and firehouse. Everyone slaps.
1
Black Throated Wind
April 1, 1994
The Omni

Spectacularly textured, plenty of chaw!! Everyone seeing stars, very hot continues the breezy twang instigated by Dire Wolf. accomplished versh
1
Picasso Moon
April 1, 1994
The Omni

Opens set one, strident and tightrope treading!! After-hours vibe of demolished dystopia, PIcasso moon always gives way to tight soloing and melts
2
Let It Grow
Oct. 13, 1994
Madison Square Garden

surprised this was omitted-delivery is good, jam is very broad and palatial, seascapes of frozen transpacific bridges. Rings and spires of dankness
1
Dupree's Diamond Blues
March 31, 1985
Cumberland County Civic Center

Triumphant
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Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.
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