headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

better weather

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Submissions

1
Greatest Story Ever Told
June 28, 1991
Mile High Stadium

Heavy and squishy, full of chops, assisted on the come up by Blu Hot Bruce. Midi and perfect touch of grey running the screen
1
Drums -> Space
July 10, 1990
Carter-Finley Stadium

Ethereal washes and moody slow beats percolate, Primal and yearning!! Space=TRES out there, punishingly freaky!!! "My friends ran for the exit"
2
Way To Go Home
Aug. 21, 1993
Autzen Stadium - University of Oregon

Nice Vinnie rocker. nimble acrobatic Jer, thick texture in that twilight vibe. Intuitive! like the feel
1
Loser
Feb. 23, 1993
Oakland-Alameda County Coliseum

passionate raveup. Sonically all encompassing, great globes of wolf vision. Sermonizing
2
The Music Never Stopped
Aug. 22, 1993
Autzen Stadium - University of Oregon

Blue hot and chonky! Creative, vinyasa vibe. Luscious texture to dig teeth in.
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Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.
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