headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

1
Brown Eyed Women
March 14, 1993
Richfield Coliseum

piercing sheer and altogether triumphant version with plenty of barrelhouse winking fun that recalls 78 marathons. great midwest bew!
1
Bird Song
July 31, 1988
Laguna Seca Recreation Area

consonantly epic woodshedding on Bird at a special spot, swimming through time.
1
Deal
Sept. 21, 1991
Boston Garden

Good lush midi cassidy into this speedmeister jaunty shuffler. Bruce and weir aim high. Inspired smooth flow. Propulsive coda. Zoo wee mama!
1
Pretty Peggy O
Sept. 21, 1991
Boston Garden

Another gorgeous headlong peggy for caves and knolls, formidable 90's new age orb head textures. Rosebud arpeggiation takes off gloriously in solos.
2
New Minglewood Blues
Sept. 21, 1991
Boston Garden

intensely hot pan seared Bruce version. Five alarm chaw with thematic accompaniment and hootenany feelings
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Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.
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