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BeggarsTomb48

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Submissions

3
They Love Each Other
Sept. 21, 1991
Boston Garden

another spicy jambalaya rendering from this configuration. Tight and loose simultaneously with excellently intuitive coasting byway jamming.
1
Black Peter
Feb. 8, 1986
Henry J. Kaiser Convention Center

mournfully acrobatic delivery and searing tiger, love it for days
1
Gimme Some Lovin'
Feb. 8, 1986
Henry J. Kaiser Convention Center

barrels in and kicks ass. Definitely some first show of the year magic on this. Revives the blues/soul energy of set 1 to leave us smilin' and dancin
1
Drums -> Space
Feb. 8, 1986
Henry J. Kaiser Convention Center

Thrilling and ominous. gets totally cranial, still retaining the pitb main ten for the duration. Excellent tonal space.
1
One More Saturday Night
Feb. 8, 1986
Henry J. Kaiser Convention Center

loose kinetic cannonball energy and more fluid acrobatic bluesy group playing deserve another shout out tonite!

Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.