headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

3
Promised Land
May 11, 1991
Shoreline Amphitheatre

this one is a gimme for Hornsby's jumpstart chops which makes for a devastating affair with jer and the guys lockin' in.
1
Drums -> Space
May 11, 1991
Shoreline Amphitheatre

Laconic and textural, devils hang loose. Chasms of endless spirals of blank fear only to be boingy wackjob cyberjazz, menacing, for OG 90's heads
1
Uncle John's Band
May 11, 1991
Shoreline Amphitheatre

High spirited and activated septet playing. Lengthy tonal solo and manic 7/4 takeoff
1
Playin' In The Band
May 11, 1991
Shoreline Amphitheatre

Blazing steamroller, Hornsby, flutterbird PITB. Elegant, direct, emblematic of the late style.
1
I Need A Miracle
July 21, 1990
World Music Theatre

Mystical, blazing
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Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.
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