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find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

1
Drums -> Space
March 28, 1993
Knickerbocker Arena

Five star drums into the spherical laser color cavern of delicate chamber electronic improv, magnetic madness
1
Truckin'
March 28, 1993
Knickerbocker Arena

Spectacularly drunken entrance to this lean mean blue hot 93 Truckin with plenty of chonky chaw! Five alarm version, stellar concert.
2
Wave to the Wind
March 28, 1993
Knickerbocker Arena

Latter day gem that might be a surrogate memory of peter gabriel solsbury hill. Phil sings and jerry comes alive. sophisticated, breezy, and killing.
1
Ship of Fools
March 28, 1993
Knickerbocker Arena

group is well oiled, Deeply meant vocal, great vibes.
2
Walking Blues
March 28, 1993
Knickerbocker Arena

Really kicking version, full steam ahead!! it's bob in full hoodoo daddy mode. Version that shows why they played this one so often, chasing this shit

Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.