headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

1
He's Gone
Oct. 12, 1989
Meadowlands Arena

Jerry pushing up the sunglasses deep into this set is a wink that it'll be ok in darker times
1
Cumberland Blues
Oct. 12, 1989
Meadowlands Arena

grandfatherly and nonetheless burnin' 89 Cumberland
1
Jack Straw
Oct. 12, 1989
Meadowlands Arena

Uber-burning version with amazing high harmonies from jer bear
1
Drums -> Space
Sept. 29, 1989
Shoreline Amphitheatre

The Devils dabble their paintbrushes of wonderment in what could be "Tribal ambient" esque textures. And space is formidable. Clarion 89 versh.
1
Stuck Inside of Mobile with the Memphis Blues Again
Sept. 29, 1989
Shoreline Amphitheatre

not THE most tremendous stuck inside but it's still awesome.
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Comments

Easy To Love You
March 15, 1990
Capital Centre

Awesome Brent song. Really nice stuff here, brilliant chords and melody.
Aiko Aiko
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Whoa. yummy, gorgeously filling version of Iko Iko, everyone is really feeling the slower groove and the results are kind of explosive. This show is one for the books
Eyes Of The World
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

Wow, meaty sandwich gift of a speedy, multi-armed beast of an 82 Eyesie.
Morning Dew
Oct. 12, 1984
Augusta Civic Center

Stuff of legend, the guys galvanized by Jerry's hair-raising sermonic power started to arise to the nethers. You find that morning dew is more or less the Dead's "curtain call" song when they want to really drive the set into an ecstatic fever pitch. Jerry's "flutterbird" tremolo distortion tone approaches or approximates the circumference of the sun and neighboring intellectual planets. this is a perfect show
Lost Sailor -> Saint of Circumstance
Aug. 10, 1982
Iowa Fieldhouse - University of Iowa

John Perry Barlow was a character, and boyhowdy he could take you into a vortex of whatever humanistic subject he chose, crafting epic rat's mazes of things. This is a great nautical and religious voyage, punctuated by the strongest fusion influence yet on Weir's chords, signs of Mccoy Tyner and Bill Evans.
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