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Blue_Roses

Feelin' Groovy

+203


Submissions

1
Let It Grow
April 12, 1989
Rosemont horizon

1
Drums -> Space
April 11, 1989
Rosemont Horizon

Jerry using octave and delay pedals creating wonderfully glitchy textures, Phil and Brent playing nice support.
1
Looks Like Rain
April 13, 1989
Rosemont Horizon

LLR around '89 can sometimes be a rushed, clunky mess. This is one of the exceptions- well-played, great solo. Out of a nice Foolish Heart.
1
Foolish Heart
April 13, 1989
Rosemont Horizon

Bright, glowing performance.
1
Don't Ease Me In
April 13, 1989
Rosemont Horizon

Great set closer. Jerry is top notch and Brent was at his best when he behind a B3.

Comments

Big Railroad Blues
Oct. 19, 1974
Winterland Arena

Love the extended intro with guitars imitating train whistle
Not Fade Away
Sept. 19, 1970
Fillmore East

Love the role reversal of Jerry comping behind Bob's solo, just before the "Darkness, Darkness" quote. And then the ridiculously cool China Cat Sunflower. Is Jerry using a Fuzz Face, or is his amp just extra hot tonight?
Dark Star
Sept. 19, 1970
Fillmore East

So much to be said about this one. So many emotional, soaring melodies from Jerry, who's tone is blistering and at times approaches a fuzz. After the haunting post-verse space, Bob Weir shows off his rhythm guitar chops. He single-handedly launches the whole band into Feelin' Groovy jam and has a brief but cool duet with Phil- I swear he tries to go for Feelin' Goovy again at 20:30 mark as Jerry is peaking before they unwind to the Dark Star theme. You can hear on the audience tape the Fillmore is clapping to the beat, and you think we are approaching the end. But Jerry decides he's not done and decides to ramp up the tension with a powerful half time statement of the melody (apparently labeled as "Bright Star" by tapers).
Samson and Delilah
April 25, 1977
Capitol Theater

Holy Phil! Dig how in-your-face he is during Bobby's verses. I really like Jerry's tone, he gets some really licks. Keith really turns up in the second half here,
Scarlet Begonias -> Fire On The Mountain
April 25, 1977
Capitol Theater

Scarlet is excellent, no notes, dreamy transition jam gave me really high expectations. Things get a little rocky in Fire, both solos have strong passages but also some flubs. Jerry seriously struggles with the ten-note outro riff and resorts to cool rapid-fire 16th note lines to save face. But then things go really quiet, there's some apprehension, and then BAM, the outro riff to Scarlet at full force. Overall, rough round the edges but very much indicator of what the highs the band would later find in Scarlet>Fires