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Carrion_Crow

Stealth Head

+48136


Submissions

14
He's Gone
Oct. 2, 1972
Springfield Civic Center

Extra-special sauce on this one: The outro goes into a long unique jam before the gospel bit. The band is completely unified.
6
Cumberland Blues
Oct. 2, 1972
Springfield Civic Center

Tight frolic, without the verge-of-chaos coal car vibe from the era. Bobby's contrib. is spot on, and Jer drops a "Went to Toledo" quote.
5
Black Throated Wind
Oct. 2, 1972
Springfield Civic Center

A perfectly rendered, tightly orchestrated soaring arc from one of the most inexplicably underated shows of Fall '72. Listen in: Bobby's in pure form.
10
Playin' In The Band
Oct. 2, 1972
Springfield Civic Center

I have trouble understanding why this isn't already here, other than the embarrassment of riches that is Fall '72.
4
Big Railroad Blues
Oct. 2, 1972
Springfield Civic Center

One of the best I know. Hard chargin' and up tempo hot stuff.

Comments

One More Saturday Night
June 20, 1974
The Omni

Don't be a heal and head for the exits just yet, trying to get to the parking lot first. They've got one more in them....
Eyes Of The World
June 20, 1974
The Omni

It's been a long time since I dipped back into this tour and wow. This is a gem. It has that unmistakeable drive and power of the great '74s and some of Phil's best soloing. What a powerful statement. With that tight odd-metered outro (7/8 + 7/8 + 6/8 I think, maybe... though I'll be damned if I've ever figured it out) I can fully understand why they might have been thinking about an eventual Eyes>Slipknot combination, but this is it, really. Did they ever develop this knuckle-busting combo any further?
Cassidy
April 23, 1977
Springfield Civic Center

I feel like this might be the first moment in the year when you can really hear how categorically they changed their ensemble concept from '76 to '77.
Sugaree
April 23, 1977
Springfield Civic Center

How bold is it to OPEN with Sugaree? At its fastest this is a mid-tempo swing and it is - by my memories - somewhat notorious for pulling down the vibe when they kicked off too slow. Not this puppy. It's got a strong pulse and grooves from note one. And Jerry means business from the jump. His solos are pristine lines of inspiration. Also: Note one is the tinkling homage to Dylan's "Everyone Must Get Stoned", undoubtedly. Have a listen on the C. Miller version and tell me I'm wrong!
The Wheel
April 22, 1977
The Spectrum

The Wheel was always good medicine. This one starts like a mirage on a hot highway fluttering in the distance, then coalesces into a perfect form, just perfect before that really really pristine Lady With a Fan section of Terrapin. As much as I love this show, this is the first part of the set where they're really playing as one. The S>F is super loose and as cool as the Dancin' is, they seem to struggle to hit the bridge. But this... this is gooood medicine.