headyversion

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Carrion_Crow

Stealth Head

+48136


Submissions

3
Candyman
July 16, 1970
Euphoria Ballroom

Anthemic beauty. Great ensemble singing and powerful pacing to it. Then Janis steps on stage for Love Light, so there's that.
2
El Paso
July 14, 1970
Euphoria Ballroom

Very mellow cowboy ballad, like the great Nov. 8th '70 above. Check 'er out. They were experimenting with it here.
3
Black Peter
July 14, 1970
Euphoria Ballroom

Beautiful acoustic version. The whole first set is one exquisite jewel after another.
3
Dark Hollow
July 14, 1970
Euphoria Ballroom

After some rowdy banter the good old GD pull out a magical beauty here. Acoustic fans shouldn't overlook this one!
6
Friend of the Devil
July 14, 1970
Euphoria Ballroom

Pretty unknown show, but this FoTD is just perfect. Some sound issues around the edges, but here Jer's voice is angelic and sweet.
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Comments

One More Saturday Night
June 20, 1974
The Omni

Don't be a heal and head for the exits just yet, trying to get to the parking lot first. They've got one more in them....
Eyes Of The World
June 20, 1974
The Omni

It's been a long time since I dipped back into this tour and wow. This is a gem. It has that unmistakeable drive and power of the great '74s and some of Phil's best soloing. What a powerful statement. With that tight odd-metered outro (7/8 + 7/8 + 6/8 I think, maybe... though I'll be damned if I've ever figured it out) I can fully understand why they might have been thinking about an eventual Eyes>Slipknot combination, but this is it, really. Did they ever develop this knuckle-busting combo any further?
Cassidy
April 23, 1977
Springfield Civic Center

I feel like this might be the first moment in the year when you can really hear how categorically they changed their ensemble concept from '76 to '77.
Sugaree
April 23, 1977
Springfield Civic Center

How bold is it to OPEN with Sugaree? At its fastest this is a mid-tempo swing and it is - by my memories - somewhat notorious for pulling down the vibe when they kicked off too slow. Not this puppy. It's got a strong pulse and grooves from note one. And Jerry means business from the jump. His solos are pristine lines of inspiration. Also: Note one is the tinkling homage to Dylan's "Everyone Must Get Stoned", undoubtedly. Have a listen on the C. Miller version and tell me I'm wrong!
The Wheel
April 22, 1977
The Spectrum

The Wheel was always good medicine. This one starts like a mirage on a hot highway fluttering in the distance, then coalesces into a perfect form, just perfect before that really really pristine Lady With a Fan section of Terrapin. As much as I love this show, this is the first part of the set where they're really playing as one. The S>F is super loose and as cool as the Dancin' is, they seem to struggle to hit the bridge. But this... this is gooood medicine.
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