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Carrion_Crow

Stealth Head

+48130


Submissions

1
Wharf Rat
Sept. 30, 1976
Mershon Auditorium, OSU

Remarkable part of one of the rare hour + extended jams, great transitions in and out of it and a heartfelt beauty on its own.
2
El Paso
Sept. 30, 1976
Mershon Auditorium, OSU

Phil rips this one wide open with a brilliant countersolo to Jerry's brilliancies and whirlygigs. Strong version here.
3
Johnny B. Goode
Sept. 28, 1976
Onondaga County War Memorial

I think they encored JBG whenever they knew they'd absolutely nailed it. It's like comedians telling "The Aristocrats". Musicians can just tell....
9
Dancin' in the Streets
Sept. 28, 1976
Onondaga County War Memorial

How on earth is this not up yet? It really kicks off the Fall '76 retooling of Dancin' with style. Brilliant, tight, and part of an enormous 2nd set.
6
New Minglewood Blues
Sept. 28, 1976
Onondaga County War Memorial

This one and the 07.18.76 versions are both so goddamned good. Jerry is a tsunami behind snarlin' Bobby. So gritty, so good.
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Comments

Eyes Of The World
June 20, 1974
The Omni

It's been a long time since I dipped back into this tour and wow. This is a gem. It has that unmistakeable drive and power of the great '74s and some of Phil's best soloing. What a powerful statement. With that tight odd-metered outro (7/8 + 7/8 + 6/8 I think, maybe... though I'll be damned if I've ever figured it out) I can fully understand why they might have been thinking about an eventual Eyes>Slipknot combination, but this is it, really. Did they ever develop this knuckle-busting combo any further?
Cassidy
April 23, 1977
Springfield Civic Center

I feel like this might be the first moment in the year when you can really hear how categorically they changed their ensemble concept from '76 to '77.
Sugaree
April 23, 1977
Springfield Civic Center

How bold is it to OPEN with Sugaree? At its fastest this is a mid-tempo swing and it is - by my memories - somewhat notorious for pulling down the vibe when they kicked off too slow. Not this puppy. It's got a strong pulse and grooves from note one. And Jerry means business from the jump. His solos are pristine lines of inspiration. Also: Note one is the tinkling homage to Dylan's "Everyone Must Get Stoned", undoubtedly. Have a listen on the C. Miller version and tell me I'm wrong!
The Wheel
April 22, 1977
The Spectrum

The Wheel was always good medicine. This one starts like a mirage on a hot highway fluttering in the distance, then coalesces into a perfect form, just perfect before that really really pristine Lady With a Fan section of Terrapin. As much as I love this show, this is the first part of the set where they're really playing as one. The S>F is super loose and as cool as the Dancin' is, they seem to struggle to hit the bridge. But this... this is gooood medicine.
Got My Mojo Working
April 22, 1977
The Spectrum

I think this hardly counts as a Mojo. It really never ever coalesces around the song but is really just a riff/vamp within the Dancin'.
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