Very hot transition from Truckin'. Short but powerfull, a fully-charged space cannon.

Fun, tight version with great energy and tight vocals. Fun stuff.

Begins sounding like the epic hard charging beast it becomes over the next months.

The NFA>GDTRFB>NFA sequence in its infancy: 3rd time played, and remarkably smooth and perfect transitions with exuberant jamming.

Super-charged hard rocker here. Hits all the 1970 highlights, with power and precision: a white knuckler. Tape is rough AUD, w/ C. Miller cleanup.

I think this hardly counts as a Mojo. It really never ever coalesces around the song but is really just a riff/vamp within the Dancin'.

Long slow sizzling Dancin' that struggles to break into the weird electric slide part so Bobby steps up and has a Mojo minute. I'm going to break ranks here and say, this isn't really a "Got my Mojo" at all, but kind of a Bobby rap reference to Got my Mojo that never leaves Dancin'. Someone with more musical knowledge than I can say for sure, but I'm pretty sure they stay on Dancin's same chords and vamp riff through the hot second that Bobby's Mojo is only kind of working. Only then do they find the electric slide and just like that, it's back to the whirling Dancin' finale. The pointillist transition into The Wheel is the kind of magic that helped so many blown minds come back together together. So sweet.

Funniest ending ever. Wait for it.

This is all pretty loose in the joints, with a couple of epic lyric 'experiments', but is just bursting with creative solo ideas that signal the future of this immortal duo. What it lacks in ensemble tightness it more than makes up for in palpable musical excitement between the boys (and girl).

Starts with snarling opening lyrics, like and Bobby and Donna about to pounce out of their skins. This high energy gets tweaky with both the mentioned Keith weirdness and the two drummers in an outrageously perfect high-speed pocket behind Jerry playing the mad-scientist. His tone and mood are both hot and mellow. This is a sound I associate with an the best 'Playins' of '73, though Keith's effects and the melty-bits also evoke the much maligned Phil and Ned era of '74s. Maybe this is what others mentioned of having an "earlier Dead" feel to it. That said, this is no nostalgia piece and the outro is a hard-core crunching beast with a unique and hard rockin' sound .