headyversion

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Carrion_Crow

Stealth Head

+48135


Submissions

3
Brown Eyed Women
June 21, 1976
Tower Theater

Smooth version with flawless, FM airplay quality.
2
Mama Tried
June 21, 1976
Tower Theater

Airplay perfect. Seems like they wanted to pick up the pace a bit and this one is just fine and dandy.
7
Goin' Down The Road Feelin' Bad
June 19, 1976
Capitol Theatre

Don't shut off the after the LIG>DitS>CC! This version just keeps on giving - great jam all 'round.
10
Ship of Fools
June 17, 1976
Capitol Theater

Muscular and confident, not at all dragging. Don't overlook it. It's brilliant and perfect coming in a blazingly good show and great 2nd set.
13
Big River
June 17, 1976
Capitol Theater

This one cooks. Keith puts on a master class of the old razzle dazzle.
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Comments

The Other One
March 20, 1977
Winterland Arena

This one has a great arc to it. They cruise at warp6 for 10 hot minutes before leaving the jaw-grinding peak for a blissful spaceout. It's gripping as they find their way into Stella. Shout out to Keith, who just as they're coming into that peaceful interlude hits on a 4 over 12 vamp that I hadn't heard before, adding to the beauty.
St. Stephen
March 20, 1977
Winterland Arena

The outro jam is pretty special, warts and all. I love the few post-hiatus versions that have a clear "bell" jam before the last shout. Here it starts around 7:50 with repeating bass notes that sound like booming church bells, just like the lyrics tell us.
Promised Land
March 20, 1977
Winterland Arena

Jerry is just ripping it up here, as he is throughout the show.
Samson and Delilah
March 20, 1977
Winterland Arena

Shuffles along a bit loose until Jerry takes his solo after the second chorus that just rips the sky apart with his buzz saw. On the C. Miller edition you can hear some of Bobby's cool counterpoint spurring Jerry on that's missing too often from other versions.
Scarlet Begonias
March 20, 1977
Winterland Arena

That ending scrambled some brains, my god. That said, I can't be the only one who thinks that for all if its glory, Scarlet/Fire gave up the awesome lead-up to Scarlet's punctuated ending (here beginning around minute 11:00) that couldn't be regained when it always morphed into FoTM. But can we also have a moment for that rising intensity Jerry-driven insanity starting with the solo after "let her pass by"? Keith's kool kooky Kraftwerky keyboards also give this a nice Mars-era throwback sound (like the Phil and Ned stuff) during the slow sizzle period before that oooooh god-yes ending.
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