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Carrion_Crow

Stealth Head

+48135


Submissions

4
Bertha
Dec. 10, 1972
Winterland Arena

A hot rocker with Phil high in the mix. This is a "get up and dance" version with everyone clearly having a blast.
2
Casey Jones
Dec. 10, 1972
Winterland Arena

Rollicking and hard-charging good time set closer after a brain-melting Playin'.
2
Black Throated Wind
Nov. 26, 1972
San Antonio Civic Auditorium

In spite of muffled sound in need of a cleanup, this one has all the swagger and triumph of the best of '72. BTW fans take heed!
5
China Cat Sunflower -> I Know You Rider
Nov. 24, 1972
Dallas Memorial Auditorium

Surprised not to see this here. The trans has extra oomph to it and the band sails along in perfect sync. Great fun.
4
Brown Eyed Women
Nov. 24, 1972
Dallas Memorial Auditorium

Pristine and fun. There's a cogent, almost album-tight quality to it.
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Comments

The Other One
March 20, 1977
Winterland Arena

This one has a great arc to it. They cruise at warp6 for 10 hot minutes before leaving the jaw-grinding peak for a blissful spaceout. It's gripping as they find their way into Stella. Shout out to Keith, who just as they're coming into that peaceful interlude hits on a 4 over 12 vamp that I hadn't heard before, adding to the beauty.
St. Stephen
March 20, 1977
Winterland Arena

The outro jam is pretty special, warts and all. I love the few post-hiatus versions that have a clear "bell" jam before the last shout. Here it starts around 7:50 with repeating bass notes that sound like booming church bells, just like the lyrics tell us.
Promised Land
March 20, 1977
Winterland Arena

Jerry is just ripping it up here, as he is throughout the show.
Samson and Delilah
March 20, 1977
Winterland Arena

Shuffles along a bit loose until Jerry takes his solo after the second chorus that just rips the sky apart with his buzz saw. On the C. Miller edition you can hear some of Bobby's cool counterpoint spurring Jerry on that's missing too often from other versions.
Scarlet Begonias
March 20, 1977
Winterland Arena

That ending scrambled some brains, my god. That said, I can't be the only one who thinks that for all if its glory, Scarlet/Fire gave up the awesome lead-up to Scarlet's punctuated ending (here beginning around minute 11:00) that couldn't be regained when it always morphed into FoTM. But can we also have a moment for that rising intensity Jerry-driven insanity starting with the solo after "let her pass by"? Keith's kool kooky Kraftwerky keyboards also give this a nice Mars-era throwback sound (like the Phil and Ned stuff) during the slow sizzle period before that oooooh god-yes ending.
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