headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48136


Submissions

3
Big Railroad Blues
Nov. 15, 1972
Oklahoma City Music Hall

Turns on a dime from the cerebral extended PiTB jam into a coal-burnin' tight jam with force and power. Hot stuff showing off their limitless range.
7
Box of Rain
Nov. 15, 1972
Oklahoma City Music Hall

Having held "sing something Phil" banners, I always had a soft spot for BoR. This one is tightly played and powerfuly sung. Good stuff!
3
Uncle John's Band
Nov. 14, 1972
Oklahoma City Music Hall

Hard rockin' version coming after a deliriously epic 2nd set suite. Crunchy and powerful.
8
He's Gone
Nov. 14, 1972
Oklahoma City Music Hall

A long, smooth outro allows for a little musical discussion whether it's going to TOO or Truckin'. Great stuff that must have stolen many faces.
5
China Cat Sunflower -> I Know You Rider
Nov. 14, 1972
Oklahoma City Music Hall

This CC is so sweet and much longer than others of the era before signaling the >IKYR, with lots of room to stretch out and find the sound.
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Comments

U.S. Blues (Wave That Flag)
March 20, 1977
Winterland Arena

Perfect party topper. Glyn's right about this one. I always felt that they closed with U.S. Blues when they knew they'd just thrown a good party. Closing out an epic three-show spot at Winterland with this as the double encore means to me that they'd had a great time too.
The Other One
March 20, 1977
Winterland Arena

This one has a great arc to it. They cruise at warp6 for 10 hot minutes before leaving the jaw-grinding peak for a blissful spaceout. It's gripping as they find their way into Stella. Shout out to Keith, who just as they're coming into that peaceful interlude hits on a 4 over 12 vamp that I hadn't heard before, adding to the beauty.
St. Stephen
March 20, 1977
Winterland Arena

The outro jam is pretty special, warts and all. I love the few post-hiatus versions that have a clear "bell" jam before the last shout. Here it starts around 7:50 with repeating bass notes that sound like booming church bells, just like the lyrics tell us.
Promised Land
March 20, 1977
Winterland Arena

Jerry is just ripping it up here, as he is throughout the show.
Samson and Delilah
March 20, 1977
Winterland Arena

Shuffles along a bit loose until Jerry takes his solo after the second chorus that just rips the sky apart with his buzz saw. On the C. Miller edition you can hear some of Bobby's cool counterpoint spurring Jerry on that's missing too often from other versions.
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