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Carrion_Crow

Stealth Head

+48136


Submissions

1
Loser
Jan. 2, 1972
Winterland Arena

Solid and soulful. Jerry's voice is on point.
1
Big Railroad Blues
Dec. 31, 1970
Winterland Arena

Not on the list, but hidden in an unfortunately cut Easy Wind. Tinny recording but killer, fast, and furious jamming.
6
Smokestack Lightnin'
Dec. 28, 1970
Legion Stadium

Soulful pure blues. This is an intimate, informal show. It ain't slick, and that's just fine.
1
Playin' In The Band
April 15, 1971
Allegheny College

Only 2 months old, and 22nd time: They were working hard on it, and you can hear the explosive potential. Manic warbler mode, Main 10 at the surface.
1
Truckin'
Dec. 28, 1970
Legion Stadium

Tight simmering burner here, with nice Bobby/Jerry mix levels. Pig on organ is a little lost, so try headphones for some fun.

Comments

U.S. Blues (Wave That Flag)
March 20, 1977
Winterland Arena

Perfect party topper. Glyn's right about this one. I always felt that they closed with U.S. Blues when they knew they'd just thrown a good party. Closing out an epic three-show spot at Winterland with this as the double encore means to me that they'd had a great time too.
The Other One
March 20, 1977
Winterland Arena

This one has a great arc to it. They cruise at warp6 for 10 hot minutes before leaving the jaw-grinding peak for a blissful spaceout. It's gripping as they find their way into Stella. Shout out to Keith, who just as they're coming into that peaceful interlude hits on a 4 over 12 vamp that I hadn't heard before, adding to the beauty.
St. Stephen
March 20, 1977
Winterland Arena

The outro jam is pretty special, warts and all. I love the few post-hiatus versions that have a clear "bell" jam before the last shout. Here it starts around 7:50 with repeating bass notes that sound like booming church bells, just like the lyrics tell us.
Promised Land
March 20, 1977
Winterland Arena

Jerry is just ripping it up here, as he is throughout the show.
Samson and Delilah
March 20, 1977
Winterland Arena

Shuffles along a bit loose until Jerry takes his solo after the second chorus that just rips the sky apart with his buzz saw. On the C. Miller edition you can hear some of Bobby's cool counterpoint spurring Jerry on that's missing too often from other versions.