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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48136


Submissions

2
Hurts Me Too
Oct. 17, 1970
Cleveland Music Hall

One of Pig's best: Perfect vox, great harp solo. Jerry too. Some tape issues, but thanx Mr. Miller... thanks a lot.
3
China Cat Sunflower -> I Know You Rider
Oct. 17, 1970
Cleveland Music Hall

Multigen sound quality, but unmistakenly tight jam with a sweet transition.
3
Doin' That Rag
Jan. 24, 1969
Avalon Ballroom

Song was brand new and they're searching for the sound, almost goes into a Violaesque jam. Transitional, hot stuff.
5
Death Don't Have No Mercy
Jan. 17, 1969
Civic Auditorium

Deep and mournful, with great organ fills and group soloing. Very solid.
6
St. Stephen
June 7, 1969
Fillmore West

Massively crunching Stephen with Jer's tone like a machinegunbuzzsaw. Out of a killer DS too. Why no love yet?
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Comments

U.S. Blues (Wave That Flag)
March 20, 1977
Winterland Arena

Perfect party topper. Glyn's right about this one. I always felt that they closed with U.S. Blues when they knew they'd just thrown a good party. Closing out an epic three-show spot at Winterland with this as the double encore means to me that they'd had a great time too.
The Other One
March 20, 1977
Winterland Arena

This one has a great arc to it. They cruise at warp6 for 10 hot minutes before leaving the jaw-grinding peak for a blissful spaceout. It's gripping as they find their way into Stella. Shout out to Keith, who just as they're coming into that peaceful interlude hits on a 4 over 12 vamp that I hadn't heard before, adding to the beauty.
St. Stephen
March 20, 1977
Winterland Arena

The outro jam is pretty special, warts and all. I love the few post-hiatus versions that have a clear "bell" jam before the last shout. Here it starts around 7:50 with repeating bass notes that sound like booming church bells, just like the lyrics tell us.
Promised Land
March 20, 1977
Winterland Arena

Jerry is just ripping it up here, as he is throughout the show.
Samson and Delilah
March 20, 1977
Winterland Arena

Shuffles along a bit loose until Jerry takes his solo after the second chorus that just rips the sky apart with his buzz saw. On the C. Miller edition you can hear some of Bobby's cool counterpoint spurring Jerry on that's missing too often from other versions.
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