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Carrion_Crow

Stealth Head

+41075


Submissions

2
El Paso
April 22, 1977
The Spectrum

This EP is 'just exactly perfect'. Jerry's curlicue soloing over tight ensemble playing in a dramatic rising arc.
4
Me and My Uncle
Oct. 31, 1971
Ohio Theatre

Bobby puts on the snarling spiteful chaw and the band is lightning tight. The banter after is fun too.
2
Feedback
Jan. 25, 1969
Avalon Ballroom

Quite beautiful and melodic, surprisingly. Perfectly transitions from the outrageous chaos of Caution into the sweet soothing balm of an AWBYG.
1
El Paso
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

Pared down and quiet, but also a tight ball of energy, ready to burst. Seems like this show doesn't get enough love.
2
Feedback
March 17, 1968
Carousel Ballroom

Sounds like they had a big-rig air horns, steam whistles, small caliber rifles and martian submarines: A Symphony of Wrong. Awesome.
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Comments

The Other One
March 20, 1977
Winterland Arena

This one has a great arc to it. They cruise at warp6 for 10 hot minutes before leaving the jaw-grinding peak for a blissful spaceout. It's gripping as they find their way into Stella. Shout out to Keith, who just as they're coming into that peaceful interlude hits on a 4 over 12 vamp that I hadn't heard before, adding to the beauty.
St. Stephen
March 20, 1977
Winterland Arena

The outro jam is pretty special, warts and all. I love the few post-hiatus versions that have a clear "bell" jam before the last shout. Here it starts around 7:50 with repeating bass notes that sound like booming church bells, just like the lyrics tell us.
Promised Land
March 20, 1977
Winterland Arena

Jerry is just ripping it up here, as he is throughout the show.
Samson and Delilah
March 20, 1977
Winterland Arena

Shuffles along a bit loose until Jerry takes his solo after the second chorus that just rips the sky apart with his buzz saw. On the C. Miller edition you can hear some of Bobby's cool counterpoint spurring Jerry on that's missing too often from other versions.
Scarlet Begonias
March 20, 1977
Winterland Arena

That ending scrambled some brains, my god. That said, I can't be the only one who thinks that for all if its glory, Scarlet/Fire gave up the awesome lead-up to Scarlet's punctuated ending (here beginning around minute 11:00) that couldn't be regained when it always morphed into FoTM. But can we also have a moment for that rising intensity Jerry-driven insanity starting with the solo after "let her pass by"? Keith's kool kooky Kraftwerky keyboards also give this a nice Mars-era throwback sound (like the Phil and Ned stuff) during the slow sizzle period before that oooooh god-yes ending.
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