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Carrion_Crow

Stealth Head

+48130


Submissions

4
Brown Eyed Women
March 19, 1973
Nassau Coliseum

Pristine rendition, now audible with thanks to C.Miller. This is a peak era Dead, with new sounds and balance even in the straight rockers.
3
Loose Lucy
March 19, 1973
Nassau Coliseum

Such fun. Has a swagger and strut like the best, but a bit more fun and light. Thanks to C. Miller we can hear it now. Cheers, sir!
3
Take A Step Back
Sept. 24, 1976
William and Mary College Hall

Bobby and Phil help out the unconscious, the bug-eyed, and the two-dimensional.
8
Sing Me Back Home
Aug. 7, 1971
Golden Hall

So sweet and sad, with a giant of a solo and crisp harmonising.
6
Big Boss Man
Aug. 7, 1971
Golden Hall

Pigpen’s vox is just amazing here (as always). Great show.
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Comments

Cryptical Envelopment
Jan. 26, 1969
Avalon Ballroom

All about the reprise. This one cooks.
Caution
Jan. 25, 1969
Avalon Ballroom

Powerful doesn't begin to describe it. This is the Dangerous Dead, though pretty short for the era. This is the era when the Avalon would hold them to one-hour sets and the night before they cut off the electricity, so perhaps they were reigning it in.
Alligator
Jan. 25, 1969
Avalon Ballroom

Starts a little unfocused, but comes out of the drum solo and transitions into Caution with blow-your-hair-back force.
Cosmic Charlie
Jan. 25, 1969
Avalon Ballroom

One of the best I know: They're having a blast. The growling grinding combination of Jerry and the keys (Pigpen? TC? both?) gives it an energetic tight swinging sound during the verses, and an unexpected almost punk-rock blown-amp sounding bridge to the "calling you" section. Cosmic Charlie is so legendary and mythic: People held banners at shows with the number of days past since it was last performed and annual set-lists would say Cosmic Charlie: 0 with a sad-face next to it. Hear it here in a uniquely tight and fun version.
Dark Star
Jan. 25, 1969
Avalon Ballroom

TC is too high in the mix, but so what? In most recordings of the era it's almost impossible to hear any indication of what he brought, so this is an interesting document if nothing else. It's also musically a whirligig of fun, even if a bit scattered in places. Deduct points for the mix if you must.
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