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Carrion_Crow

Stealth Head

+48135


Submissions

9
The Music Never Stopped
June 15, 1976
Beacon Theatre

Really short, but very tight. Jerry ends with a cascading riff that sounds like spotaneous composition. Anyone know if they played this jam again?
9
Candyman
June 15, 1976
Beacon Theatre

A subtle beauty. Just a bit of swagger, just a bit of grit, lots of fine singing, and an acqueous solo for the ages.
6
Samson and Delilah
June 14, 1976
Beacon Theatre

Scorchin' hot barnburner here. The Rhythm Devils push this one ever hotter. Bobby and Donna sound perfect together.
2
Dancin' in the Streets
June 12, 1976
Music Hall

Superb version, surprising not listed yet. Tighter to my ears than the other more well-known ones in the Boston run. Check it out!
3
Johnny B. Goode
June 11, 1976
Boston Music Hall

MORE COWBELL! (And some very tight, blistering rock, sweet ensemble vocals, and good times for everyone after a great great show.)
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Comments

Cryptical Envelopment
Jan. 24, 1969
Avalon Ballroom

Intro is weirdly truncated, but the outro is a musical explosion that just blazes hot and burns down before disintegrating into a hot New Potato.
The Other One
Jan. 24, 1969
Avalon Ballroom

For the era I wouldn't say this TOO is that short. Haven't checked alternate sources, but the C. Miller on the archive has what sounds like tape damage or even a cut Cryptical intro before 8 minutes or so of blazing hot scary-ride TOO that actually goes into further thematic jamming than others of the era before re-entering the atmosphere for a ballistic Cryptical reprise that just melts rock it's so hot.
Turn On Your Love Light
Jan. 17, 1969
Civic Auditorium

This version starts rough but you can hear them searching for the pocket and coming together. By the end its a stomping colossus. I think this is the show where they struggled with the venue and were unhappy enough to consider giving money back to the audience. I can't hear that here, but it might be part of the city's bad reputation with Heads. When I was touring it hadn't hosted a show in forever, and was a still somewhat hostile to hippies and bikers and all kinds of freaks. I imagine back in '69 it was a pretty square town.
The Eleven
Jan. 17, 1969
Civic Auditorium

This is a hot version, no doubt, but everything about this era runs hot. The electric high-tension and crackling energy is something like no other era. Leave it to the gear-heads to explain why, but I think this was just at the end of the first era - before he went to jail - with Bear and his audio effect on the sound was palpable. Musically this has a few rough spots of everyone playing on top of each other, like just before transitioning into the first solo, but they always come back in and overall it's a rollicking good time more than a blow-your-face off steal, IMHO.
Eyes Of The World
Feb. 22, 1973
Assembly Hall, University of Illinois

Jerry's first two solos are radio-play perfect, and the ensemble singing on each chorus is a joyous yowp for life. To my ears it drifts out of sync a bit in the outro, but the transition to China Doll is just sublime.
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