headyversion

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Carrion_Crow

Stealth Head

+48130


Submissions

4
Brown Eyed Women
March 19, 1973
Nassau Coliseum

Pristine rendition, now audible with thanks to C.Miller. This is a peak era Dead, with new sounds and balance even in the straight rockers.
3
Loose Lucy
March 19, 1973
Nassau Coliseum

Such fun. Has a swagger and strut like the best, but a bit more fun and light. Thanks to C. Miller we can hear it now. Cheers, sir!
3
Take A Step Back
Sept. 24, 1976
William and Mary College Hall

Bobby and Phil help out the unconscious, the bug-eyed, and the two-dimensional.
8
Sing Me Back Home
Aug. 7, 1971
Golden Hall

So sweet and sad, with a giant of a solo and crisp harmonising.
6
Big Boss Man
Aug. 7, 1971
Golden Hall

Pigpen’s vox is just amazing here (as always). Great show.
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Comments

Uncle John's Band
March 19, 1977
Winterland Arena

Lot's of love here for the intro... but damn did you guys make it to the outro? The intro starts like silky gossamer and ends like a seven-cylinder jackhammer. It has that nice virtuoso '77 clean feeling while keeping the grit-in-the-gears and hard rocking energy.
Sugar Magnolia
March 19, 1977
Winterland Arena

Maybe it suffers a bit in comparison to the outrageous excellence of both the first and second set jams? The transition from Franklin's is a bit wobbly - and it takes getting to the first solo for it to really pick up steam, with the Devils driving it back on track for the win.
Eyes Of The World
March 19, 1977
Winterland Arena

Up-tempo, but not rushed. Keith is brilliant throughout, complimenting Jerry's endless wingspan.
Samson and Delilah
March 19, 1977
Winterland Arena

Soul-sizzling church here. The first half of PiTB noodles and swirls, but by the time Samson comes along they are all swagger and strength. This one is a colossus on its own, but part of an outrageous 1st set sammy it's become one of my top Samsons of all time.
Terrapin Station
March 19, 1977
Winterland Arena

Still brand-spankin' new, but they really found their stride here to kick off this outrageous extended jam to close out the first set. This strikes me as the first one to really convey the anthemic triumph outro.
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