headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48135


Submissions

3
Brown Eyed Women
June 21, 1976
Tower Theater

Smooth version with flawless, FM airplay quality.
2
Mama Tried
June 21, 1976
Tower Theater

Airplay perfect. Seems like they wanted to pick up the pace a bit and this one is just fine and dandy.
7
Goin' Down The Road Feelin' Bad
June 19, 1976
Capitol Theatre

Don't shut off the after the LIG>DitS>CC! This version just keeps on giving - great jam all 'round.
10
Ship of Fools
June 17, 1976
Capitol Theater

Muscular and confident, not at all dragging. Don't overlook it. It's brilliant and perfect coming in a blazingly good show and great 2nd set.
13
Big River
June 17, 1976
Capitol Theater

This one cooks. Keith puts on a master class of the old razzle dazzle.
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Comments

Uncle John's Band
March 19, 1977
Winterland Arena

Lot's of love here for the intro... but damn did you guys make it to the outro? The intro starts like silky gossamer and ends like a seven-cylinder jackhammer. It has that nice virtuoso '77 clean feeling while keeping the grit-in-the-gears and hard rocking energy.
Sugar Magnolia
March 19, 1977
Winterland Arena

Maybe it suffers a bit in comparison to the outrageous excellence of both the first and second set jams? The transition from Franklin's is a bit wobbly - and it takes getting to the first solo for it to really pick up steam, with the Devils driving it back on track for the win.
Eyes Of The World
March 19, 1977
Winterland Arena

Up-tempo, but not rushed. Keith is brilliant throughout, complimenting Jerry's endless wingspan.
Samson and Delilah
March 19, 1977
Winterland Arena

Soul-sizzling church here. The first half of PiTB noodles and swirls, but by the time Samson comes along they are all swagger and strength. This one is a colossus on its own, but part of an outrageous 1st set sammy it's become one of my top Samsons of all time.
Terrapin Station
March 19, 1977
Winterland Arena

Still brand-spankin' new, but they really found their stride here to kick off this outrageous extended jam to close out the first set. This strikes me as the first one to really convey the anthemic triumph outro.
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