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Carrion_Crow

Stealth Head

+49667


Submissions

1
Big Railroad Blues
July 22, 1972
Paramount Northwest Theatre

Hard chargin' driver here. They kicked this one in the pants.
3
Sugaree
July 22, 1972
Paramount Northwest Theatre

A solid and sweet rockin' version. The band is smooth and tight, recording a solid A-
2
He's Gone
July 21, 1972
Paramount Northwest Theater

Donna's brand new and sounds good. Sorry haters, but she's on here: Check the sweet outro.
9
Stella Blue
July 21, 1972
Paramount Northwest Theater

Powerful and emotional, with great coherency and a tight structure. AUD cleanup in need.
5
China Cat Sunflower -> I Know You Rider
July 21, 1972
Paramount Northwest Theater

Unfortunate cut in CC, but the Rider is tremendous. Needs a cleanup bad - Paging Mr. Miller, help out please!

Comments

The Other One
Nov. 20, 1971
Pauley Pavilion

Almost a Caution jam in minute 12.
Playin' In The Band
Dec. 2, 1971
Boston Music Hall

It's also a chaotic scramble, to be sure, but a beautiful one at that.
Me and My Uncle
Dec. 1, 1971
Boston Music Hall

Perfect performance and at once perfectly non-sequitur and perfectly appropriate for the massive and outer-cosmos free jazz in the TOO around it. Why is MAMU their single-most performed song? Maybe because it could fit anywhere in either set, and maybe because when they were flying us through the weirdest wormhole in the outer planes of music, they could crest a wave and just hit on that cowboy groove that somehow emerges out of nothing and brings it all back down to earth (before lifting off again).
The Other One
Nov. 17, 1971
Albuquerque Civic Auditorium

Era E's tastes are always impeccable. The only thing to add is that this first tour with Keith led to some fascinating, inventive TOOs. They explore ideas, one after another, in the space of a few minutes, in ways that seem to continue the 'new kid's' education and tryout. Here they migrate through hard acid drenched power, country blues, outer-reaches weirdness, and a teeny-tiny Feeling Groovy jam in the 8th minute, all before the first chorus. Nov. 6, 7 (especially) and 12th all share in this experimentation. It shows how TOO could be their scary, dangerously close-to-insanity rocker, but so many other things as well. Considering what we used to trade, I don't find the sound unlistenable at all, but just don't expect a clean sbd.
The Other One
Nov. 12, 1971
San Antonio Civic Auditorium

Starts in a fervor and hard rock fever, then hits a unique jam around the seven-minute mark including some real nice Bobby and Keith telepathic gogo. Then more phases and jams, never quite losing the 6/8 theme, revisiting it and turning it around until it charges back. Not a scary TOO, almost Dark Star-ish in its invention. Should be much much higher on the list.