headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49642


Submissions

4
Sugar Magnolia
June 15, 1976
Beacon Theatre

Cool Sugar Mag>Scarlet Begonias>SSDD sammy. Is this the only one like it? The SSDD kicks ass.
7
Friend of the Devil
June 15, 1976
Beacon Theatre

I won't say best, but there's a very cool Hawaiian vibe with Jerry and Bobby backing Keith's solo around the fifth minute.
4
Samson and Delilah
June 15, 1976
Beacon Theatre

Swaggering gospel here, with all the muscle and might befitting the song. Bobby's having a blast.
12
Not Fade Away
June 15, 1976
Beacon Theatre

Jam starts to bubble and boil and rolls on with great creative force. Very cool '76 sound, and a great mix with Bobby and Phil interaction on display
9
The Music Never Stopped
June 15, 1976
Beacon Theatre

Really short, but very tight. Jerry ends with a cascading riff that sounds like spotaneous composition. Anyone know if they played this jam again?
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Comments

The Other One
Nov. 7, 1971
Harding Theatre

Beautiful and hard charging version with a mysteriously perfect segue into MAMU, but it's the outro that just slays me with its mysterious and light-as air melodic jam before the power finale. Strong stuff here, know your dose.
Playin' In The Band
April 24, 1972
Rheinhalle

Good call cgarces! I love this one.
Me and My Uncle
Nov. 7, 1971
Harding Theatre

There are passages in the Dark Star hinting that they knew exactly where they were going with this brilliant TOO>MAMU>TOO sandwich. Keith's honky tonk piano, like it does in the Mexicali Blues earlier is just perfect here, and combined with the heavy trippin-balls Other One vibe makes this a standout version.
Mexicali Blues
Nov. 6, 1971
Harding Theater

Acid carnival, complete with honky tonk piano, wild chaos, and a dubious narrative ringleader.
Comes A Time
Nov. 7, 1971
Harding Theatre

Beautiful version, but it isn't the only time they sang the 2nd "when words come out" verse. It's there in every version from the song's about a month earlier. I think it's really the key verse for to the meaning of the song, and makes me think about times when my anger took me over and left me regretting my actions. Without it, the "feel nothin' at all" lyrics take on a darker sense altogether (in my opinion). I wonder if they took it out when it seemed like the song was a bit long for a mid-set ballad. I just love these early versions in any case.
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