headyversion

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Carrion_Crow

Stealth Head

+49652


Submissions

7
Ramble On Rose
Sept. 15, 1972
Boston Music Hall

Jerry's vocals are rarely stronger. At one point he's growling it out like he's spittin' nails.
10
He's Gone
Sept. 15, 1972
Boston Music Hall

Kicking off a killer 2nd set, with a beautiful outro and a smooth smooth jam.
3
Jack Straw
Sept. 15, 1972
Boston Music Hall

In spite of some tuning problems, this one cooks. This whole set showcases Jerry's fast frets. Great stuff.
2
El Paso
Sept. 15, 1972
Boston Music Hall

Sweet master class on background soloing with Jerry's lickety-split runaway desperado fretwork backing Bobby up.
6
Black Throated Wind
Sept. 15, 1972
Boston Music Hall

This starts with understated, almost hesitant steps, then builds into a towering emotional rage. Its arc fits its words. Great stuff.
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Comments

Big Railroad Blues
Nov. 7, 1971
Harding Theatre

The levels on my copy are all way up in the red, the sound over-saturated and distorting, and I looooooove it. Slamming along at full locomotive power and just killing it.
Sugaree
Nov. 7, 1971
Harding Theatre

Would nominate this as a good "entry-level" version for someone who likes old rock and roll, but isn't tuned into live Dead yet. Strong, solid, grooving pulse. Would also nominate this as a sweet-assed groove to dance nice and slow to with your lover. Just sayin'.
The Other One
Nov. 6, 1971
Harding Theater

Bobby introduces with "We're going to do a Hugo Winterhalter song now", which is pretty Prankster when you think about it.
Bertha
Nov. 6, 1971
Harding Theater

Jerry just can't stop here, and pulls them back from ending it not once, but twice, to great comic and great rock'n'roll effect. Loose as all hell, but he can play that guitar just like ringing a bell! Hell of a show opener.
El Paso
Oct. 31, 1971
Ohio Theatre

Jerry sounds like champagne bubbles throughout. It's like he's got fifteen extra fingers.
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