The new SBD's are crystal clear, with everyone audible. Whoever that Billy guy is could sure play some goddamned drums. He's solid gold on this one.

Charged up and triumphant. The whole week of shows before Europe is killer. Thanks go to C. Miller for the great archive versions.

Key moment in transforming PITB into a cosmic monster. 9.5 minutes of gooey goodness here. C.Miller's version is the best. Dig in boys.

The outro might be the three most intensely energetic minutes of GD music ever. The first part rocks too. Why not here yet? This show is a goldmine.

Now I know a lot of you don't dig this song, but goddamn they pour it on for this one. Great Jerry filagree backing the passionate vox. Listen to the

Listening to this show end to end and you can tell they were feeling experimental and exploratory all night. The first set is full of swagger, but somehow it seems like they're trading precision for that x-factor, constantly pushing outward and furthur, ready to burst. It comes on strong in the second set and you hear it getting together in the Bird Song before this. Then there's this. It's goes completely off the chain with this monster, all the way out and into places unknown before to music. Then, just when you think it's expanded beyond all recognition, a blue-ribbon landing into a hot MAMU, (pity about the cut), then right back into the beast in totally different space-time. But wait, it isn't finished, and we get the closing Cryptical - five more beautiful minutes of it, slow-grooving us back to more recognizable places on earth while still hammering hard before the mind-settling WR.... This is TOO and the Dead at their highest levels and I can only imagine what it was like for those lucky ones who got to catch it live. Thanks Archive!

Could listen to this forever. Fall '74 shows off some of their greatest collective musicianship, and this whole segment from Seastones to Wharf Rat (over an hour and ten minutes of constant creativity) shows it beautifully. They were just burning so very brightly during this phase before the hiatus.... (Plus I dig bizarre electronic weirdness, so for me this represents a special time in the band's history with Ned sitting in.)

Love this one with its waves against the docks indeed. Check out one of my favorites, May 19th '74, for another beautiful evocation of the background ocean rhythms and sounds as they fade it out. Sonic portraiture at its finest.

This show is totally underappreciated on this site. Was it off the archive for a while and unknown to those who haven't picked up the RT? It's the real deal throughout and just has me stopped in my tracks in my tour through '71s. Been stuck here for about a two-weeks. Tight jam, awesome transition, brilliant mix, all cylinders firing. Could go much higher in a crowded field of excellent China-Riders.

Solid and swinging: A superior and sublime submission.