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Carrion_Crow

Stealth Head

+49652


Submissions

9
Candyman
June 15, 1976
Beacon Theatre

A subtle beauty. Just a bit of swagger, just a bit of grit, lots of fine singing, and an acqueous solo for the ages.
6
Samson and Delilah
June 14, 1976
Beacon Theatre

Scorchin' hot barnburner here. The Rhythm Devils push this one ever hotter. Bobby and Donna sound perfect together.
2
Dancin' in the Streets
June 12, 1976
Music Hall

Superb version, surprising not listed yet. Tighter to my ears than the other more well-known ones in the Boston run. Check it out!
3
Johnny B. Goode
June 11, 1976
Boston Music Hall

MORE COWBELL! (And some very tight, blistering rock, sweet ensemble vocals, and good times for everyone after a great great show.)
2
Samson and Delilah
June 11, 1976
Boston Music Hall

Ballsy strut. Donna and Bobby are perfectly in sync, the mix is great, and Jerry's on fire. Check out the Miller cleanup.

Comments

Dark Star
April 28, 1971
Fillmore East

Not just a trip down memory lane, but a great demonstration of how far they'd evolved in two years after the peak TC era. It also sounds fucking great and twists and zigzags wildly and would have just been perfect to peak along to with a few thousand close friends....
Morning Dew
April 28, 1971
Fillmore East

Note for note perfect. May be my favourite of all time. I just keep coming back for more again and again. Love how it drops all the way down to pianissimo, just a delicate little whisper over the unmistakeable chord changes, then rises up and burns the multiverse into a smoking crater.
Hard to Handle
April 28, 1971
Fillmore East

Most pleasing and excellent. A right hot jam.
Playin' In The Band
Nov. 21, 1973
Denver Coliseum

Remarkable for how it's interwoven between everything else in this brilliant set, but simply amazing for the intense musicality and complex collective interaction during its jams.
Playin' In The Band
April 28, 1971
Fillmore East

They're still building it into what we know from '72 onward, and listening to them in sequence is a great ride. This one stands out from others of the time for exploring a slower, unfamiliar groove. Sounds a bit more like the original "Main Ten" than others in April '71. Interesting and fun.