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Carrion_Crow

Stealth Head

+49667


Submissions

7
Around and Around
Sept. 26, 1972
Stanley Theatre

Usually a toss-off for me, and maybe it's Chuck Berry's passing that makes me think of it, but this version kicks serious ass. Deliberate and strong.
10
Bird Song
Sept. 26, 1972
Stanley Theatre

Crisp, articulate, deliberate. This is as strong a statement about what this song could be in '72 as I know. Airplay levels of concision.
7
Cold Rain and Snow
Sept. 26, 1972
Stanley Theatre

Always loved this one early in the first set, 'cause it meant the boys meant business. This one has a loose, comfortable sound, but with high energy.
8
Bertha
Sept. 24, 1972
Palace Theatre

Masterclass from the Philzone here. He tears this one up.
9
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.

Comments

Dark Star
May 4, 1972
Olympia Theater

Oh man, this goes very far out - not your entry-level Deadhead Dark Star, no sir. But it has everything: deep space, great melodic return, and a beautiful beautiful jam towards the end of the long strange trip. Am I crazy or does Phil sound like he's ready to dive strait into St. Stephen in the build up at the last second à la 1969? Guess 'twas not to be, alas.
Weather Report Suite
Sept. 20, 1974
Palais Des Sports

The Prelude and part one of the Suite are a bit too loose for my tastes, but the Let it Grow on its own is brilliant.
Scarlet Begonias
Sept. 20, 1974
Palais Des Sports

Show gets dissed a bit for reasons that are lost on me. Here I hear them exploring new sounds, new grooves and new ideas on what was still a young song. Very laid back (no idea nor concern whether related to dope) but sublimely inventive and intricate, reaching harmolodic interplay of collective improv at its best.
Caution
Nov. 6, 1970
Capitol Theater

Hvd sleuth is right. Heady as fuck. Give it a spin - or let it give you one. Goddamn, it's a corker.
The Music Never Stopped
May 5, 1977
New Haven Coliseum

Outrageous power. This one pushes against all limits.