headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49677


Submissions

9
Not Fade Away
July 17, 1976
Orpheum Theatre

Smoldering hot and long jam capping a great 2nd set. The kind of jam you want to go on forever.
2
Beat it on Down The Line
Oct. 21, 1971
Auditorium Theatre

Listen in and hear exactly where Jerry's fingers achieve terminal velocity. Keith's first shows have manic wild energy, lots of fun.
7
The Other One
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Hard charging power here in 24 minutes of explosive dark matter. It's a massive oversight that this show hasn't been more widely appreciated.
7
Brokedown Palace
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Stunning. Beautiful harmonies, strong pulse, Keith roars in like they know in advance what he brings. Show needs more love.
2
Playin' In The Band
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Massive transitional masterpiece. 1st with Keith, and he's the missing ingredient that tips PiTB over the edge into its full glory. Great mix.
show more submissions

Comments

Row Jimmy
Sept. 18, 1974
Parc des Expositions

Smooth and mysterious, with lots of great slide and rhodes soloing. I always find a special trippiness to this song: Not gangbusters psychedelia, but an aqueous otherworldliness that this version captures nicely.
Smokestack Lightnin'
March 18, 1967
Winterland Arena

Brilliant and perfect Pig on this one. Apparently they opened for Chuck Berry, then played a second set after him. Any heads out there know what he thought of them and their take on his music?
Alligator
Sept. 3, 1967
Dance Hall

Unrelenting hurricane. A strong dose.
Viola Lee Blues
Sept. 3, 1967
Dance Hall

Easy to overlook the '67 Dead with so many great years after. Don't make such an error, cause they're just bursting with power. Real mind-blowing work on this VLB. Enjoy.
Bird Song
Nov. 17, 1972
Century II Convention Hall

More love needed for this sweet beauty. Elegant yet powerful - a real treat. I often wonder why such a beautiful song with obvious jam potential was mothballed for so long during some peak years. Any ideas?
show more comments
headyversion loves the dead but is in no way affiliated with The Grateful Dead or affiliated enterprises. find out more >:) >:)