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Carrion_Crow

Stealth Head

+49667


Submissions

6
Beat it on Down The Line
Aug. 21, 1972
Berkeley Community Theater

Has one of Jer's longest continuous strings of up-tempo 16th note solo lines (in the changes) I can recall. Wicked fast and right as rain.
3
He's Gone
Aug. 20, 1972
San Jose Civic Auditorium

This version, and the one on the 12th, are just butter. I admit to sometimes not even noticing He's Gone, but this is a high spot for it.
2
Me and Bobby McGee
Aug. 20, 1972
San Jose Civic Auditorium

One of those amazing versions of this underrated song where everyone is blazing along in collective improv to genius effect. Just beautiful.
3
Sugaree
Aug. 20, 1972
San Jose Civic Auditorium

Damn fine swagger on this one, in spite of a murky tape. Show cleans up after a few songs - thanks to C. Miller.
2
Truckin'
Aug. 12, 1972
Sacramento Memorial Auditorium

High voltage 18-wheel Truckin'. Mix and sound on this show keep it in the shadow of others this month, but the music is all there.

Comments

Turn On Your Love Light
Oct. 22, 1967
Unknown

Can't overdo this date at all. This rocks. Pigpen just sounds so good.
Turn On Your Love Light
April 26, 1972
Jahrhunderthalle

Absolutely blisteringly hot, a rockin' cauldrin with Caution-like moments. Could be my favorite.
The Other One
April 26, 1972
Jahrhunderthalle

A long exploration transitioning from hard rock into spacejazz into dark-melting cozmik goo emitted from cybernautic giant praying mantises, back to rock and landing safe and sound in a lovely Comes a Time. One long strange trip indeed.
Playin' In The Band
April 26, 1972
Jahrhunderthalle

Maybe the single 'missing link' in the 71 - 72 evolution from an odd-metered but still recognizable "song" into an the inter-stellar vehicle for massive heady goodness that Playing' becomes. Right there at 3:00 Jerry flips a switch and suddenly we all go a wee but furthur.
Dark Star
June 23, 1974
Jai-Alai Fronton

The show as a whole is testament to the band's exploration and search for new direction, and this star doesn't disappoint. Abstract and full of conceptual complexity - not surprising after the first 'Phil and Ned', which incidentally could mark the origins of the 'Space' segment that I always loved loved loved. Dark Star >> Spanish Jam never showed so much of electric Miles Davis' influence to my ears.