headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

1
Not Fade Away
July 25, 1972
Paramount Theater

For a show that sometimes lacks a little energy in places, they end it with quite a bang. This outro is exceptionally good.
1
Truckin'
July 22, 1972
Paramount Northwest Theatre

Slow star builds up huge head of steam and a slamin' jam. Ends funny, unsure whether >He's Gone or something else. Nice version, overlooked show.
1
Mississippi Halfstep Uptown Toodeloo
July 22, 1972
Paramount Northwest Theatre

Not too polished yet, but full of that new-song exhuberence. Great key work from Keith, and a funforall Reeeee-o Grand outro.
7
Playin' In The Band
July 22, 1972
Paramount Northwest Theatre

A thing of (overlooked) beauty. Tight, muscular and coherent. It never drags. A perfect '72 Playin' here.
14
Crazy Fingers
Feb. 28, 1975
Bob Weir's Studio

You've never heard it like this: Rehearsal tape, listed as "Distorto". Track 2. An absolute treasure. Hard-freaking-core. No words, just rock.
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Comments

Turn On Your Love Light
Oct. 22, 1967
Unknown

Can't overdo this date at all. This rocks. Pigpen just sounds so good.
Turn On Your Love Light
April 26, 1972
Jahrhunderthalle

Absolutely blisteringly hot, a rockin' cauldrin with Caution-like moments. Could be my favorite.
The Other One
April 26, 1972
Jahrhunderthalle

A long exploration transitioning from hard rock into spacejazz into dark-melting cozmik goo emitted from cybernautic giant praying mantises, back to rock and landing safe and sound in a lovely Comes a Time. One long strange trip indeed.
Playin' In The Band
April 26, 1972
Jahrhunderthalle

Maybe the single 'missing link' in the 71 - 72 evolution from an odd-metered but still recognizable "song" into an the inter-stellar vehicle for massive heady goodness that Playing' becomes. Right there at 3:00 Jerry flips a switch and suddenly we all go a wee but furthur.
Dark Star
June 23, 1974
Jai-Alai Fronton

The show as a whole is testament to the band's exploration and search for new direction, and this star doesn't disappoint. Abstract and full of conceptual complexity - not surprising after the first 'Phil and Ned', which incidentally could mark the origins of the 'Space' segment that I always loved loved loved. Dark Star >> Spanish Jam never showed so much of electric Miles Davis' influence to my ears.
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