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Carrion_Crow

Stealth Head

+48135


Submissions

4
Brown Eyed Women
March 19, 1973
Nassau Coliseum

Pristine rendition, now audible with thanks to C.Miller. This is a peak era Dead, with new sounds and balance even in the straight rockers.
3
Loose Lucy
March 19, 1973
Nassau Coliseum

Such fun. Has a swagger and strut like the best, but a bit more fun and light. Thanks to C. Miller we can hear it now. Cheers, sir!
3
Take A Step Back
Sept. 24, 1976
William and Mary College Hall

Bobby and Phil help out the unconscious, the bug-eyed, and the two-dimensional.
8
Sing Me Back Home
Aug. 7, 1971
Golden Hall

So sweet and sad, with a giant of a solo and crisp harmonising.
6
Big Boss Man
Aug. 7, 1971
Golden Hall

Pigpen’s vox is just amazing here (as always). Great show.

Comments

Turn On Your Love Light
March 17, 1968
Carousel Ballroom

The Download series has a warm but muted sound quality that makes this both hot and cool at the same time. This version doesn't have the wild Pig life-coaching that came later, but does have that brilliant '68 ensemble jamming that blows your hair back and steals your face, leaving nothing but perma-grin.
Turn On Your Love Light
March 17, 1968
Carousel Ballroom

The Download series has a warm but muted sound quality that makes this both hot and cool at the same time. This version doesn't have the wild Pig life-coaching that came later, but does have that brilliant '68 ensemble jamming that blows your hair back and steals your face, leaving nothing but perma-grin.
Mama Tried
Feb. 26, 1977
Swing Auditorium

Everyone loves the Swing, but don't skip the Mama!
Estimated Prophet
Feb. 26, 1977
Swing Auditorium

What a brain-sizzler. Jerry's 20-second solo around 3:30 just ignites the air into a pillar of fire. His tone is of ferocious arch-angelic madness, just like the song sez, eh? What an intro for this quirky off-kilter song for a crowd also treated to 1st-time Terrapin.
New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.