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Carrion_Crow

Stealth Head

+49667


Submissions

7
Around and Around
Sept. 26, 1972
Stanley Theatre

Usually a toss-off for me, and maybe it's Chuck Berry's passing that makes me think of it, but this version kicks serious ass. Deliberate and strong.
10
Bird Song
Sept. 26, 1972
Stanley Theatre

Crisp, articulate, deliberate. This is as strong a statement about what this song could be in '72 as I know. Airplay levels of concision.
7
Cold Rain and Snow
Sept. 26, 1972
Stanley Theatre

Always loved this one early in the first set, 'cause it meant the boys meant business. This one has a loose, comfortable sound, but with high energy.
8
Bertha
Sept. 24, 1972
Palace Theatre

Masterclass from the Philzone here. He tears this one up.
9
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.

Comments

Dark Star
April 8, 1972
Wembley Empire Pool

Never hits that level of wicked psychotic meltdown like some of the massive stars, but has some of the sweetest most melodic spontaneous composition they ever did. Oh and the glorious jam transitioning into Sugar Mag followed by a furiously heavy Caution make this every bit worth the praise.
Looks Like Rain
April 8, 1972
Wembley Empire Pool

Trouble groking this song? Check this one out and get it once and for all.
Playin' In The Band
Feb. 22, 1974
Winterland Arena

This one is a nice long ride. They take their time, but get you there alright. Understated, but brilliant and coherent - up there with the best of them.
Black Throated Wind
April 8, 1972
Wembley Empire Pool

Great version with cool, almost punk rock energy to it. Set lists.net and the box set have this going into 'Next time You See Me', not 'Sitting on top of the world'. What gives?
It Must Have Been The Roses
Feb. 22, 1974
Winterland Arena

Sounds great up-tempo. To my ears it's better as a country crooner than as a slow ballad.