headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Casey Jones
Dec. 10, 1972
Winterland Arena

Rollicking and hard-charging good time set closer after a brain-melting Playin'.
2
Black Throated Wind
Nov. 26, 1972
San Antonio Civic Auditorium

In spite of muffled sound in need of a cleanup, this one has all the swagger and triumph of the best of '72. BTW fans take heed!
5
China Cat Sunflower -> I Know You Rider
Nov. 24, 1972
Dallas Memorial Auditorium

Surprised not to see this here. The trans has extra oomph to it and the band sails along in perfect sync. Great fun.
4
Brown Eyed Women
Nov. 24, 1972
Dallas Memorial Auditorium

Pristine and fun. There's a cogent, almost album-tight quality to it.
4
Loser
Nov. 22, 1972
Austin Municipal Auditorium

The mix is off at first, vocals lost, but hang in there and you'll hear one of Jerry's most heavy metal solos on Loser ever. Absolute shredder.
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Comments

Not Fade Away
May 8, 1977
Barton Hall - Cornell University

Agreed with Whiskeyclone: It all comes together nicely here.
St. Stephen
May 8, 1977
Barton Hall - Cornell University

Damned good post-hiatus Steven, but the best? I just can't see it, not that 'best' is ever objective. More energetic would be 22 Jan '78 (hot stuff!), but for my stolen face I'd say any '69 Dark Star>Steven>The Eleven is as close to the Dead's ultimate essence as anything. Also check out 12-13 Oct. '68 for some phantasmogoric psychetropozebraosity straight from Mars that can yank you out of '77 and slingshot you into the prima materia.
Deal
May 8, 1977
Barton Hall - Cornell University

Ok, I'm a big pre-hiatus fan and all, but this is just a damned fine version. No question, Barton is a great show.
Morning Dew
Jan. 17, 1968
Carousel Ballroom

Rippingly good. Jerry's solos and vocals over the emerging '68 sound just blow this one over the top.
Dark Star
Dec. 18, 1973
Curtis Hixon Convention Hall

Really beautiful version, with a unique, but short MLB 'round about 8:00 or so. So many different lyrical and rhythmical evolutions throughout, and a glorious trip into the unknown realms incorporating a blown speaker in what 15 years later might be called a midi-jam.
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