headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

1
Big Railroad Blues
July 22, 1972
Paramount Northwest Theatre

Hard chargin' driver here. They kicked this one in the pants.
3
Sugaree
July 22, 1972
Paramount Northwest Theatre

A solid and sweet rockin' version. The band is smooth and tight, recording a solid A-
2
He's Gone
July 21, 1972
Paramount Northwest Theater

Donna's brand new and sounds good. Sorry haters, but she's on here: Check the sweet outro.
9
Stella Blue
July 21, 1972
Paramount Northwest Theater

Powerful and emotional, with great coherency and a tight structure. AUD cleanup in need.
5
China Cat Sunflower -> I Know You Rider
July 21, 1972
Paramount Northwest Theater

Unfortunate cut in CC, but the Rider is tremendous. Needs a cleanup bad - Paging Mr. Miller, help out please!
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Comments

Not Fade Away
May 8, 1977
Barton Hall - Cornell University

Agreed with Whiskeyclone: It all comes together nicely here.
St. Stephen
May 8, 1977
Barton Hall - Cornell University

Damned good post-hiatus Steven, but the best? I just can't see it, not that 'best' is ever objective. More energetic would be 22 Jan '78 (hot stuff!), but for my stolen face I'd say any '69 Dark Star>Steven>The Eleven is as close to the Dead's ultimate essence as anything. Also check out 12-13 Oct. '68 for some phantasmogoric psychetropozebraosity straight from Mars that can yank you out of '77 and slingshot you into the prima materia.
Deal
May 8, 1977
Barton Hall - Cornell University

Ok, I'm a big pre-hiatus fan and all, but this is just a damned fine version. No question, Barton is a great show.
Morning Dew
Jan. 17, 1968
Carousel Ballroom

Rippingly good. Jerry's solos and vocals over the emerging '68 sound just blow this one over the top.
Dark Star
Dec. 18, 1973
Curtis Hixon Convention Hall

Really beautiful version, with a unique, but short MLB 'round about 8:00 or so. So many different lyrical and rhythmical evolutions throughout, and a glorious trip into the unknown realms incorporating a blown speaker in what 15 years later might be called a midi-jam.
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