headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

3
Cold Jordan
Sept. 17, 1970
Fillmore East

The tape quality is low, but the band was completely on in an historically important and beautiful show. Completists only AUD is C-, you're warned.
4
Easy Wind
Aug. 19, 1970
Fillmore West

Undoubtedly one of the greats. Everyone is on. Bobby solos, then Jerry schools the world, then at 7:03 sounds like D. Crosby steps in like Godzilla.
3
Friend of the Devil
Aug. 19, 1970
Fillmore West

Early uptempo, shitkickingly good. These first ones are all worth mentioning. This one is fast and good bluegrass.
3
The Other One
Aug. 18, 1970
Fillmore West

Fast and furious acid rush here. That they could go from bluegrass sweetness to this hard rock monster in one night is testament to their huge range.
6
New Speedway Boogie
Aug. 18, 1970
Fillmore West

Pure version, with just the right amount of menace and swagger. A great jam here too. Check it out.
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Comments

Not Fade Away
May 8, 1977
Barton Hall - Cornell University

Agreed with Whiskeyclone: It all comes together nicely here.
St. Stephen
May 8, 1977
Barton Hall - Cornell University

Damned good post-hiatus Steven, but the best? I just can't see it, not that 'best' is ever objective. More energetic would be 22 Jan '78 (hot stuff!), but for my stolen face I'd say any '69 Dark Star>Steven>The Eleven is as close to the Dead's ultimate essence as anything. Also check out 12-13 Oct. '68 for some phantasmogoric psychetropozebraosity straight from Mars that can yank you out of '77 and slingshot you into the prima materia.
Deal
May 8, 1977
Barton Hall - Cornell University

Ok, I'm a big pre-hiatus fan and all, but this is just a damned fine version. No question, Barton is a great show.
Morning Dew
Jan. 17, 1968
Carousel Ballroom

Rippingly good. Jerry's solos and vocals over the emerging '68 sound just blow this one over the top.
Dark Star
Dec. 18, 1973
Curtis Hixon Convention Hall

Really beautiful version, with a unique, but short MLB 'round about 8:00 or so. So many different lyrical and rhythmical evolutions throughout, and a glorious trip into the unknown realms incorporating a blown speaker in what 15 years later might be called a midi-jam.
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