headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+48136


Submissions

3
Brown Eyed Women
June 21, 1976
Tower Theater

Smooth version with flawless, FM airplay quality.
2
Mama Tried
June 21, 1976
Tower Theater

Airplay perfect. Seems like they wanted to pick up the pace a bit and this one is just fine and dandy.
7
Goin' Down The Road Feelin' Bad
June 19, 1976
Capitol Theatre

Don't shut off the after the LIG>DitS>CC! This version just keeps on giving - great jam all 'round.
10
Ship of Fools
June 17, 1976
Capitol Theater

Muscular and confident, not at all dragging. Don't overlook it. It's brilliant and perfect coming in a blazingly good show and great 2nd set.
13
Big River
June 17, 1976
Capitol Theater

This one cooks. Keith puts on a master class of the old razzle dazzle.
show more submissions

Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
show more comments
headyversion loves the dead but is in no way affiliated with The Grateful Dead or affiliated enterprises. find out more >:) >:)