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Carrion_Crow

Stealth Head

+48136


Submissions

4
Truckin'
Oct. 24, 1972
Performing Arts Center

Pity the SQ is so flat, as this one cooks up nice and hot, with some extra melodicism in the outro jam before D>TOO. This show needs a SBD infusion.
2
Playin' In The Band
Oct. 24, 1972
Performing Arts Center

hard to believe this big beast hasn't been tagged yet: Experimental, interesting, and at 23min, a nice long ride.
2
Box of Rain
Oct. 24, 1972
Performing Arts Center

Only the 2nd one they played after it went into circulation, and it conveys all the emotion and poetry of this wonderful song. Sing something Phil!
1
Brokedown Palace
Oct. 23, 1972
Milwaukee Performing Arts Center

For a song notoriously difficult to pull off live, this one is just beautiful. Succinct, harmonious, deliberate: All good, in spite of AUD quality.
2
China Cat Sunflower -> I Know You Rider
Oct. 23, 1972
Milwaukee Performing Arts Center

Great transition into Rider here. Really strong '72 ensemble playing. Sound quality is only about a B though.
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Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
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