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Carrion_Crow

Stealth Head

+48136


Submissions

3
Sugaree
Oct. 19, 1972
Fox Theatre

Band recovers from a flubbed BTW and charges forward with this powerful rocker. Jerry and Keith's interplay as it rises is spectacular.
4
Don't Ease Me In
Oct. 19, 1972
Fox Theatre

Sweet rocker here.
6
Promised Land
Oct. 18, 1972
Fox Theater

High energy, and remarkable that they could pull it off after an hour of continuous jamming. Great show all round.
8
Brown Eyed Women
Oct. 18, 1972
Fox Theater

In spite of equipment stalls the set really takes off here. Great Miller mix showcases Bobby in the left channel. Beautiful version.
17
Goin' Down The Road Feelin' Bad
Oct. 17, 1972
Fox Theatre

Keith is high in the mix and it's just brilliant. The NFA was a bit sloppy, but they nail the GDTRFB and the outro.

Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.